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Getting through this crisis together

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Getting through this crisis together

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MORE ABOUT JOHN KIKI

John Kiki has lived and worked in Great Yarmouth for many years now. He trained at Camberwell School of Art and The Royal Academy of Arts, London. By the time he finished his studies in 1967, John had developed a unique approach to painting. His paintings are typically a rich figurative language that encompasses a fluid abstraction alongside a changing caste of characters borrowed from Greek mythology, history genre paintings, and his own observations of how people interact in daily life. John Kiki's long career has included many significant solo and group exhibitions internationally, including at The Royal Academy, Hayward Gallery and Serpentine Gallery in London, as well as the OK Harris Gallery in Soho, New York. His paintings, drawings and prints have been included in several national collections.

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MORE ABOUT BRIDGET HERIZ

We are presenting a series of smaller painted works on paper by Bridget. These form an important part of her creative process as a sculptor. Bridget has shown her work at The Royal Academy London, The Cut in Halesworth Suffolk and internationally. She trained at Goldsmiths College and Ravensbourne College of Art and Design (1973-77). She moved to Great Yarmouth in 2002.

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MORE ABOUT KERON BEATTIE

Keron gained a First Class BA (Hons) in Contemporary Art and Design (2016) and a MA Fine Art with Distinction (2018) from NUA. His work for A Fine Balance is concerned with the natural world under pressure including disconnection with nature and natural cycles.

Keron prefers to use found and recycled objects, generally working by hand using traditional tools and techniques. This slower process encourages a way of seeing and then re-seeing the materials and allows new ideas and forms to emerge.  He is currently exploring how traditional jewellery making materials, processes and forms can inform and influence his small sculptural works.

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MORE ABOUT JONATHAN CLARKE

Jonathan Clarke was born in 1961 in Suffolk where he continues to live and work today. At the age of 16 he took up an apprenticeship with his father, the sculptor Geoffrey Clarke (RA), and began exhibiting his own sculpture in the early 1980s. He works in sand-cast aluminium, initially carving his sculpture in polystyrene. This method relies on the destruction of the original mould as it is vaporised by molten aluminium. The result is an entirely unique, one-off sculpture.

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