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Anish Kapoor at Houghton Hall 2020

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Anish Kapoor at Houghton Hall 2020

Anish Kapoor/ Sophia, 2003
Marble, 215x123x133 cm
Photograph: Dave Morgan
©: Anish Kapoor, All rights reserved, 2020

 

29 March to 27 September, 2020

Open on selected Days - see the Houghton Hall website for more details and please note that there are charges to enter the Houghton hall estate though entry to the Contemporary and Country exhibition is free of charge.

Anish Kapoor. Sky Mirror, 2018
Stainless steel/ ø 500cm|
©: Anish Kapoor, All rights reserved, 2020

The exhibition will feature 21 sculptures as well as a selection of  drawings and smaller works representative of Kapoor’s ground-breaking body of work created over the past 40 years. Presented together, this series of works will challenge the classical architecture of the house and the idyllic beauty of the grounds, whilst being in continuous dialogue and engagement with Houghton’s history.

Anish Kapoor is one of the most influential sculptors working today, known for creating ambitious public sculptures adventurous in both form and engineering across vastly different scales and materials.

Curated by Mario Codognato, the exhibition at Houghton will feature some of Kapoor’s major works in mirror and stone, including Sky Mirror (2018) - a 5-metre diameter mirror of stainless steel that reflects and transforms the space around it, turning the world upside down - and a series of carved marble sculptures created in 2001 – 2003 which will be displayed across the grounds. A number of works will also be shown inside the house, including a series of dramatic sandstone sculptures which will be presented in the gallery spaces.

Lord Cholmondeley, owner of Houghton, said: “Anish Kapoor is a magician. His elegant reflective pieces throw back the world in mysterious ways. We are proud to have the opportunity to present an important group of Anish Kapoor’s work at Houghton, both inside the house and in the gardens and grounds.”

Anish Kapoor
Anish Kapoor was born in Mumbai, India, in 1954 and lives and works in London. He studied at Hornsey College of Art, London, UK (1973–77) followed by postgraduate studies at Chelsea School of Art, London, UK (1977–78). He represented Britain at the 44th Venice Biennale for which he was awarded the Premio Duemila and won the Turner Prize in 1991. In 2013 he received a knighthood for his services to the arts.

Recent solo exhibitions include CorpArtes, Santiago, Chile (2019); Pitzhanger Manor and Gallery, London, UK (2019); Serralves Museum, Porto, Portugal (2018);  'Descension’' at Public Art Fund, Brooklyn Bridge Park Pier 1, New York, NY, USA (2017); Parque de la Memoria, Buenos Aires, Argentina (2017); MAST Foundation,Bologna, Italy (2017); Museo Universitario Arte Contemporáneo (MUAC), Mexico City, Mexico (2016); Couvent de la Tourette, Eveux, France (2015); Château de Versailles, France (2015) and The Jewish Museum and Tolerance Center, Moscow, Russia (2015). He represented Britain at the 44th Venice Biennale in 1990 with Void Field (1989), for which he was awarded the Premio Duemila for Best Young Artist. Kapoor won the Turner Prize in 1991 and has honorary fellowships from the University of Wolverhampton, UK (1999), the Royal Institute of British Architecture, London, UK (2001) and an honorary doctorate from the University of Oxford, UK (2014). Anish Kapoor was awarded a CBE in 2003 and a Knighthood in 2013 for services to visual arts. Large scale public projects include Cloud Gate (2004) in Millennium Park, Chicago, USA and ArcelorMittal Orbit (2012) in the Queen Elizabeth Olympic Park, London, UK.

Mario Codognato
Mario Codognato was since its foundation in 2005 the chief curator of MADRE, the new museum of contemporary art in Naples, where he has curated, among others, the retrospectives of the work of Jannis Kounellis (2006), Rachel Whiteread (2007), Thomas Struth (2008) and Franz West (2010). He has previously worked at the contemporary art project at the Archaeological Museum in Naples, where he curated exhibitions of Francesco Clemente (2002), Jeff Koons (2003), Anish Kapoor (2003), Richard Serra (2004), Anselm Kiefer (2004) and the first ever museum retrospective of Damien Hirst (2004). He has curated several thematic exhibitions, including Barock at MADRE in 2009 and Fragile? at the Cini Foundation in Venice in 2013. From 2014 to 2016 he was chief curator at the 21er Haus of the Belvedere in Vienna, where he has curated among others, the retrospective exhibitions of Olafur Eliasson, Tomas Saraceno and Sterling Ruby, and the exhibition “Sleepless” on the history and role of the bed in art. Since 2016 he is director of the Anish Kapoor Foundation.