Artworks

Acrylic on Fabriano Paper

Acrylic on Canvas

Acrylic mixed media on paper, mounted and framed

Acrylic mixed media on board and framed

Acrylic mixed media on board and framed

Acrylic mixed media on board and framed

Acrylic mixed media on board and framed

Acrylic mixed media on board and framed

Watercolour on paper
Float mounted, box framed in white painted wood, museum glass

Oil and mother of pearl on canvas

Watercolour on paper
Float mounted, box framed in white painted wood, museum glass

Oil and mother of pearl on canvas

Oil on canvas

Oil on canvas

Oil on canvas

Watercolour and acrylic paint on handmade paper

Watercolour and acrylic paint on handmade paper

Watercolour and acrylic paint on handmade paper

Watercolour and acrylic paint on handmade paper

Three Colour Carbon Transfer - hand made print

A CARBON TRANSFER PRINT is a unique handmade work of art. It is a pigment and gelatine based photographic process, renowned for its remarkable beauty and archival stability because of the use of pigments over dyes. It has rich shadows, wide tonal range, sharp definition, richness of colour rendition and is considered to be the finest of all the photographic processes. A 19 th century technique that was first invented in 1855, it is highly sought after by collectors. Though only a handful of artists worldwide practice it professionally, it is currently experiencing a revival with artists and photographers seeking a high-quality analogue alternative to digital production.

Three Colour Carbon Transfer - hand made print

A CARBON TRANSFER PRINT is a unique handmade work of art. It is a pigment and gelatine based photographic process, renowned for its remarkable beauty and archival stability because of the use of pigments over dyes. It has rich shadows, wide tonal range, sharp definition, richness of colour rendition and is considered to be the finest of all the photographic processes. A 19 th century technique that was first invented in 1855, it is highly sought after by collectors. Though only a handful of artists worldwide practice it professionally, it is currently experiencing a revival with artists and photographers seeking a high-quality analogue alternative to digital production.

Three Colour Carbon Transfer - hand made print

A CARBON TRANSFER PRINT is a unique handmade work of art. It is a pigment and gelatine based photographic process, renowned for its remarkable beauty and archival stability because of the use of pigments over dyes. It has rich shadows, wide tonal range, sharp definition, richness of colour rendition and is considered to be the finest of all the photographic processes. A 19 th century technique that was first invented in 1855, it is highly sought after by collectors. Though only a handful of artists worldwide practice it professionally, it is currently experiencing a revival with artists and photographers seeking a high-quality analogue alternative to digital production.

Three Colour Carbon Transfer - hand made print

A CARBON TRANSFER PRINT is a unique handmade work of art. It is a pigment and gelatine based photographic process, renowned for its remarkable beauty and archival stability because of the use of pigments over dyes. It has rich shadows, wide tonal range, sharp definition, richness of colour rendition and is considered to be the finest of all the photographic processes. A 19 th century technique that was first invented in 1855, it is highly sought after by collectors. Though only a handful of artists worldwide practice it professionally, it is currently experiencing a revival with artists and photographers seeking a high-quality analogue alternative to digital production.

Three Colour Carbon Transfer - hand made print

A CARBON TRANSFER PRINT is a unique handmade work of art. It is a pigment and gelatine based photographic process, renowned for its remarkable beauty and archival stability because of the use of pigments over dyes. It has rich shadows, wide tonal range, sharp definition, richness of colour rendition and is considered to be the finest of all the photographic processes. A 19 th century technique that was first invented in 1855, it is highly sought after by collectors. Though only a handful of artists worldwide practice it professionally, it is currently experiencing a revival with artists and photographers seeking a high-quality analogue alternative to digital production.

AVAILABLE TO BUY FROM A PRIVATE COLLECTION

Acrylic on canvas
Framed in black painted wood frame with non-reflective museum glass

AVAILABLE TO BUY FROM A PRIVATE COLLECTION

Acrylic on canvas
Framed in black painted wood frame with non-reflective museum glass

Acrylic on canvas

Acrylic on canvas

Acrylic on canvas

Acrylic on canvas

Acrylic on canvas

Acrylic on canvas
Framed in black painted wood frame with non-reflective museum glass

Acrylic on canvas
Framed in black painted wood frame with non-reflective museum glass

Acrylic on canvas
Framed in black painted wood frame with non-reflective museum glass

Acrylic on canvas
Framed in black painted wood frame with non-reflective museum glass

Acrylic on canvas
Framed in black painted wood frame with non-reflective museum glass

AVAILABLE TO BUY FROM A PRIVATE COLLECTION

Acrylic on canvas
Framed in black painted wood frame with non-reflective museum glass

Porcelain paperclay, with coloured strata cast inclusions and a Dolomite glaze.

Porcelain paperclay construction with a Dolomite glaze.

Handbuilt Porcelain with Dolomite Glazes

Handbuilt Porcelain using Body Stained Coloured Inclusions and Dolomite Glaze                                    

Handbuilt porcelain flax paperclay with Dolomite glaze and strata cast porcelain coloured inclusions.

Porcelain paperclay, with coloured strata cast inclusions and a Dolomite glaze.

Porcelain paperclay, with coloured strata cast inclusions and a Dolomite glaze.

Handbuilt Porcelain using Body Stains, Underglaze Colours and Dolomite Glaze.

Handbuilt Porcelain using Body Stains, Underglaze Colours and Dolomite Glaze.

Handbuilt Porcelain using Body Stains, Underglaze Colours and Dolomite Glaze.

C-type print mounted on board and UVL protected

C-type print mounted on board and UVL protected

C-type print mounted on board and UVL protected

C-type print mounted on board and UVL protected

C-type print mounted on board and UVL protected

C-type print mounted on board and UVL protected

Acrylic on cut panel

Acrylic on board

Fine birch plywood - natural

Monoprint: Shackle and Edwards Ink on Somerset 300gsm paper

Various woods avaiable (Oak, Ash, Sycamore and London Plane)
Turned wood with legs that screw into the table top.

3 week turnaround from order

Mussel shells on vintage mirror frame

Green Dicks, Brittany Blue, Le Blue willows grown organically in King’s Cliffe.

Acrylic on panel construction

Limited edition print of an original watercolour painting

Limited edition print of an original watercolour painting

Limited edition print of an original watercolour painting

Limited edition print of an original watercolour painting

Limited edition print of an original watercolour painting

Limited edition print of an original watercolour painting

Limited edition print of an original watercolour painting

Limited edition print of an original watercolour painting

Collage and acrylic on canvas
Framed in black painted wood frame with non-reflective museum glass

Etching and acrylic on canvas
Framed in black painted wood frame with non-reflective museum glass

Mixed media and acrylic on canvas
Framed in black painted wood frame with non-reflective museum glass

Collage and acrylic on canvas
Framed in black painted wood frame with non-reflective museum glass

Mixed media and acrylic
Framed in black painted wood frame with non-reflective museum glass